peter holman造句

例句与造句

1. Peter Holman is the director of the orchestra, and Lucy Graham is in charge of choreography and movement.
2. But, says Peter Holman, their Christmas music from the 18th and early 19th century is worth hearing.
3. As a soloist she has given numerous concerto performances, many under the direction of Peter Holman, at venues such as Finchcocks and the Purcell Room.
4. According to the musicologist and conductor Peter Holman, " a way of celebrating national identity was to place a love-story in a picturesque British rural setting.
5. The festival's centerpiece is a run of performances of Purcell's semi-opera " King Arthur, " directed by the scholar and harpsichordist Peter Holman.
6. It's difficult to find peter holman in a sentence. 用peter holman造句挺难的
7. The musicologist Peter Holman suggests that the dances were conceived primarily for violin consorts, although " Praetorius was clearly aware that potential purchasers in Germany might want to play them on wind instruments ".
8. The festival's artistic directors, the British harpsichordist Peter Holman and the American lutenist Paul O'Dette, had expected this to be the first complete modern staging when they began planning the production in 1993.
9. This last-named has been combined with HWV352 354 and HWV356 to form the " Suite from the operas Florindo and Daphne ", which in 2012 was adapted and recorded by The Parley of Instruments under Peter Holman.
10. Peter Holman, the harpsichordist who led the performances of Purcell's " King Arthur " at the Boston Early Music Festival last June, also directs Opera Restor'd, a British troupe that has been rummaging in obscure corners of the 17th-and 18th-century English repertory since 1986.
11. However, " A common misperception exists that the'lament bass'of Venetian opera became so prevalent that it immediately swept away all other possible affective associations with this bass pattern . . . To cite but one example, Peter Holman, writing about Henry Purcell, once characterized the minor tetrachord as'the descending ground that was associated with love in seventeenth-century opera'."